In the event that there aren’t enough 8s for you on this August 8th, here’s a whole bunch more from the Urban Institute for Contemporary Arts in Grand Rapids.
This space originally contained a photo by Detroit area artist Tim and the last name of “Man, do I not want to promote or support the art of Michigan’s truly insufferable artists.”
He’d rather you don’t see it here and believe me, I am more than happy to oblige.
In What is Project Tim?, Crain’s Detroit Business explains that a mystery company has amassed 850 acres in land options to build a $5 billion industrial facility that could be the largest manufacturing plant in the country:
The massive project is dubbed “Project Tim” in a document the company provided to local government and economic officials, who have vowed to keep the company’s name and industry a closely-held secret while the land is being assembled.
The document says the industrial development is being pursued by a “small group of globally leading companies and experts” who want to build a 24 million-square-foot facility that would be “the greenest facility of its kind anywhere in the world.”
“As of this time we cannot share details on the precise nature of Project Tim,” according to the document, which the city of Durand has been distributing to residents. “… It will be a high-tech industrial development unlike anything that you have probably ever seen before.”
The company’s document describes a massive manufacturing facility unlike anything in Michigan — in terms of size — that promises to create 800 full-time jobs in “Phase 1.”
The document describes a sprawling facility 6,200 feet long and 3,900 feet wide that would top 550 acres in size. (A square mile is 640 acres.) If built, the plant being proposed in Durand would be 50 percent larger than the 16 million-square-foot Ford River Rouge Complex. It also would be bigger than the tiny 499-acre nation of Monaco along France’s Mediterranean coast.
The Rapidian has a feature on prehistoric Michigan’s tropical seas, jungles and inhabitants that’s a great read and the ultimate Throwback Thursday! Here’s a small slice:
After about 60 million years, warm, shallow seas came down again from the Arctic and covered Michigan during the Silurian period. At this time the land would have been in a subtropical climate that gave rise to large coral reefs across the state. Fossil findings show that the largest and oldest reef extends through the center of the Upper Peninsula. A species of coral that lived during this time period would eventually become fossilized and become what we refer to as Petoskey Stones.
The seas retreated over time, leaving a desert scattered with fossilized remains that eventually formed the limestone that is located over one hundred and twenty feet below us today. The sections of this exposed limestone is what created the Grand Rapid’s famous rapids. Much of the salt deposits that were left from retreating seas of this period are still mined in Detroit.
The Devonian period around 400 million years ago saw the rise of vertebrates in Michigan. North America was covered with up to 40 percent of water. There were a great number of fish swarming the salt and fresh water seas. The Ganoid species were in a crude state of evolution. Many of them had armor plating with two of their relatives, the Gar Pike and the Sturgeon, still existing in Great Lakes today. Primitive plants, such as the seed fern, developed from marine algae. On land the Tiktaalik, the link between finned fish and early amphibians, started to use its muscular fins to drag itself around land.
…At the end of the Carboniferous Period, known as the Pennsylvanian subperiod, Michigan was a semi-tropical jungle featuring primitive vegetation. Ferns without bark, some of which bloomed scentless unattractive flowers, grew to almost 100 feet. Millions of generations of trees grew and died in the jungle. The trees that fell in the swampy parts of the jungle were covered up by water and soil that became rock over time. The forces of time and pressure on these trees would eventually see this prehistoric jungle become the coal basin that sits underneath a large area of the U.S. including the upper northeast part of Kent county.
In the sky above one foot long dragon flies swarmed in droves on the ground and cockroaches the size of a man’s palm crawled around. Reptiles started to appear, evolving from amphibians, not dependent on water to lay their amniotic eggs. Towards the end of this period the rain forests gave way to deserts which decreased the amphibian populations and caused an evolutionary shift in reptiles.
Definitely click through for more – there are some cool links as well!
A highlight of the Michigan State Capitol in Lansing are the eight muses that ring the Capitol dome. During the latest restoration, it was learned that they were painted in the late 19th century by Italian artist Tommaso Juglaris. Michigan’s Otherside relates the story of the Mysterious Painter of the Michigan State Capital Muses:
The paintings are absolutely gorgeous, and for years, historians believed they might have been the work of Lewis Ives, an artist who has other pieces in the Capitol. Then, in 1992, a visitor named Geoffrey Drutchas entered the building, looking for works by a nineteenth-century Italian artist. Drutchas’ inquiry led to an investigation that ultimately revealed the paintings’ true creator. But more on that later; first, a quick background on how the muses became a part of the Capitol in the first place.
The current state Capitol opened in 1879. For the first few years of its existence, the Capitol’s walls were bare, as the state couldn’t spare any money for artwork. Eventually, the state had extra cash, so the legislature commissioned William Wright, owner of a Detroit decorating company, to handle interior design duties. The Capitol’s architect, Elijah Myers, said that he wanted allegorical paintings (in other words, paintings whose subjects look like one thing, but represent something else) to appear above the Capitol rotunda. That’s how the Capitol ended up with its muses. At first glance, the women in the paintings that Wright delivered to the Capitol are simply figures from Greek mythology; however, if a viewer looks at the paintings closely, he or she finds that each muse holds or is surrounded by items that represent a specific aspect of Michigan’s economy and culture.
Read on for more, and also see State Capital historian Kerry Chartkoff’s lecture on Michigan’s Capitol: Muses, Memoirs at Michigan State University.
I’d never heard of artist Beau Stanton, who painted this mural, but I’m glad I have now! The mural is called Detroit House and his website explains:
This multifaceted mural wraps around all four sides of a cinderblock house in a large open field. It was created in September 2015 for the first annual Murals in the Market Festival in Detroit, located at St. Aubin and Pierce on the border of Detroit’s Eastern Market neighborhood.
Murals in the Market is an annual event takes place in the fall and invites local and international artists to paint large-scale murals throughout the Eastern Market District. Click the link to read all about it!
This had a photo of mine that was apparently of another artist. He was kind of rude in the email so there will be no link. Your lesson for today is to be nice! ;)
“Here we are now 30 years later. Time to move on. Gotta go in a new direction. Got to do something I’ve not done before.”
A confluence of factors have pushed Guyton to change course: an increasing awareness of his own mortality as he reached 60, the toll that the fires have taken on his psyche, the increasing number of project commissions that are pouring in from across the country and across the globe and the Sisyphean burden of keeping the Heidelberg Project going for literally half his life.
…By next summer, visitors to the two-block stretch of Heidelberg Street — where Guyton started his project in 1986 as a response to the rampant blight in the neighborhood of his youth — will notice familiar sights slowly disappearing. In two years, all of the magically transformed found objects that crowd the empty lots between houses are expected to be gone: broken dolls, shopping carts, TVs, shoes, telephones, a Noah’s ark of stuffed animals piled high as an elephant’s eye, the debris splashed with optimism and painted polka dots and dozens of Guyton’s paintings of clocks and primitive portraits.
Guyton’s plan to disassemble the Heidelberg Project marks a dramatic turning point in the history of a seminal public art adventure that for many has come to represent the soul of contemporary Detroit.
View Mike’s photo background big, see more in his Heidelberg Project slideshow, and click for 300+ more photos of the Heidelberg Project in the Absolute Michigan pool on Flickr!
More Michigan art on Michigan in Pictures.
The Celestial Ship of the North (Emergency Ark), aka the Barnboat, is a site-specific installation and permanent sculpture in Port Austin, Michigan created by Scott Hocking. He wrote to me:
I was asked by Detroiter Jim Boyle, whose family is still in Port Austin, if I’d ever had any ideas of working with old barns. He’s been trying to get a Detroit / Port Austin connection going by bringing artists up there to do projects. I basically told him I’d had some fleeting thoughts about how much certain barns look like overturned ship hulls, and that if I had an old barn to work with, I’d probably turn it into a boat.
So, that was the beginning.
Like all of my work, I try to let the materials and site dictate what I make, and as I worked on the barnboat the shape became what it is now – mostly influenced by the intense winds of Michigan’s thumb. It took about 3 months total, but I’m not quite done yet: I’m still planning to fill in the base with mounded sand this spring for a little extra stability, and so that it can once again overgrow like that ivy covered barn it was made from.
Awesome. Check out lots more of Scott’s engaging work on his website.